When I was a senior in high school, I gathered a bunch of my friends at my house to watch the noir thriller American Psycho, which had just been released on VHS. We were a rowdy bunch who generally preferred making jokes and yelling over each other to watching a screen for two uninterrupted hours. But as soon as the movie started, we were drawn into the story.
Here’s the opening scene, as directed by Mary Harron:
Fascinating, right? But how does Harron draw you into Patrick Bateman’s twisted world so quickly?
As with all stories, it all starts with a great setup.
To help you eliminate confusion and cliche in your stories, here are “3 Ways to Create Rich Beginnings”. Follow these steps and you’ll be able to draw in even the most distracted crowd.
1. Ground the story in a specific place. The first job of a storyteller is to paint a picture of the environment so the audience will understand the choices that the central character makes as the narrative unfolds. Does the story take place in a single engine plane flying over the California desert or in a brightly lit, modern apartment on the eleventh floor of the American Gardens Building? What sorts of hair products does the character use? The more detailed you are about location (sights, smells, tastes, sounds, and feel) the less work you’ll have to do later on. Be bold!
2. Show us external forces at play. To buy into a story, the audience needs to understand the external influences, or circumstances, affecting the central character. If the story takes place in the South Bronx in the 1980s, for example, it’s reasonable for an audience to expect high crime, abandonment and racial tension to work their way into the story. On the other hand, if the story takes place in Wall Street investment banks in the 1980’s, we expect to see expensive suits and fancy cars. As is the case with backstory (see this earlier post), when you show external forces at play, you can demonstrate character and even foreshadow what will happen in the story.
3. Establish timing. When telling a story, it’s important to understand the amount of time the story covers. Does the story begin when you’re 5 years old and end when you’re 40, or does it begin and end in a single day? Stories may jump around in time, but the audience needs to understand how you (the narrator) uses time. Timing affects the narrative, so be patient with your setup.
Feeling a little more settled?